more than just a luxury Sleep easy knowing your project is on course. Make adjustments instantly when you need to. We have years of experience on set as a DIT and a dailies colorist. There is no aspect of this workflow we haven't touched.
BORING BUT ESSENTIAL More often than not, delivering a show will require some amount of metadata upload to your broadcaster or streamer. Luckily we speak metadata and are happy to take on this task.
More than just text! Creative typography that elevates your story Consistent style and an eye for detail Opening and closing title cards Closed Captions Subtitles End crawls Countdowns and leaders Phone text
Put it all together Broadcast prores quicktimes with textless 2K and 4K DCPs from DCDM IMPs (Interoperable Media Package) for streamers Foriegn language versioning Descriptive video
Safeguard your hard work for all time Choose any or all of graded, non-graded, digital cinema and video masters Archive all assets required to re-construct your project LTO tape masters and safety duplicates Tape archive catalog and transfer reporting "Live" archiving to hard drives for short term retrieval
Forget all the technical stuff for a while Creativity is not about breaking rules for the sake of it. Pushing images beyond a neutral grade to serve the story takes experience and patience. I've been fortunate to collaborate on look design for Man In the High Castle, Frontier,
What you see is definitely what you get! Best in class Colourspace calibration Memory colours like skin, foliage and sky are accurate Brand colours are spot on Colour is accurate because our monitors are calibrated and our colour science is tried and tested Files are tested for technical conformity to
This is your recipe for success! Colour pipeline DIT and Data management Show LUT's Dailies configuration and sharing protocols VFX pipeline Handover files from offline editorial Review processes Quality control Deliverables We'll guide you through the technical details and design a workflow that's clear and achievable.
Recreate your offline edit frame by frame but better Prep your online media before colour is applied Stabilize or lock your camera Framerate and upscaling conversions De-interlace Lense and sensor artifact removal Creative filters and effects Sound laybacks to specification
Fixes that go beyond a typical colour grade Sound recordist reflected in a window Blemishes on your lead actor Touch up SFX Green/Bluescreen Blurs and removals 3D VFX and the really tough stuff goes to our friends at Animism